Published by the Gwangju International Center since 2001
Following the successful completion of the 2021 Online Human Rights Education Training Program for Sustainable and Inclusive Communities in November last year, this year Gwangju Metropolitan City, represented through the Gwangju International Center (GIC), conducted another KOICA Fellowship Program: the CIAT (Capacity Improvement and Advancement for Tomorrow).
The 12th World Human Rights Cities Forum (WHRCF) was held at the Kimdaejung Convention Center for four days, October 10–13, 2022. During this year’s Forum, 38 programs were organized with 320 domestic and foreign speakers and around 1,800 participants in total. Under this year’s theme, “Climate Crisis and Human Rights,” we concluded that it was important to recognize that the climate crisis could also impact human rights, not just the environment.
“Some people have wondered if I’m trying to save on paints. Actually, no. I use a lot. When I color, I don’t color an object all at once. Because of the nature of oil paints, it takes some time to dry. I apply one color and leave it on the canvas to soak in. If I wipe it off before the paint dries, the canvas is lightly colored. Then I add another color, brushing it on the canvas horizontally and vertically like weaving cloth.”
2022 couldn’t have been a better comeback for Gwangju FC, one of the two professional sports club in this city of 1.5 million. Its winning in K League 2, putting it back to K League 1 next year, gives hope to the football (soccer) club that has been having an up-and-down history in its involvement in the Korea Football League.
I like this perspective of love as a miracle incubator. Love as such apparently sheds light on why NGOs in general are so well received wherever they find themselves.
Every year, the Ha Jung-woong Art Museum invites several competent artists and supports their exhibitions. A few years ago, when I visited the museum, I encountered some very interesting artworks. They were traditional Korean landscape paintings combined with unique scenes in them. For instance, a waterfall from the sky was expressed as long noodles from chopsticks. The various foods and snacks in the landscape paintings gave me a fun shock, and they have remained in my memory for a long time. Luckily, I have had the opportunity to have an interview with Haru K, the artist of Delicious Landscape, for this issue of the Gwangju News. You too will be able to meet Haru K through the following interview.
My week in Pollica, Italy, was full of precious opportunities to mark a new beginning. I applied for this camp with one purpose: to learn how other cities, and especially the youth living in them, are working to end discrimination. This is because I have seen and experienced that some people have to fight for their rights, even though such rights are what they deserve, and those who always suffer more are socially disadvantaged.
We are all citizens of Spaceship Earth, bound to always live and operate in tandem for ever and ever. It is our destiny, as it were, to share our collective home planet with everyone else, regardless of origins, identities, or ideologies. From this vantage point, the ultra-nationalistic take on our culture alluded to earlier in this article does not at all belong in any sane and rational mindset, does it? What do you say?
