Three Lazy Hikes Along the West Sea
By Isaiah Winters I hate the West Sea. It’s shallow and muddy with a color palette usually ranging from some metallic sludge to full-on dirty dishwater. In last year’s August … Read More
By Isaiah Winters I hate the West Sea. It’s shallow and muddy with a color palette usually ranging from some metallic sludge to full-on dirty dishwater. In last year’s August … Read More
Located about an hour and change southeast of Gwangju, Obong-san (literally “five-peak mountain”) has left me smitten for its topographical variety, bucolic bayside views, and one of the most unique rock formations I’ve ever seen: Knife Rock (칼바위). In this edition of “Lost,” I’ll carve out a few paragraphs on what puts this mountain in my top 10.
Sunchang County’s been on a roll lately in terms of tourism promotion. The county boasts a pair of suspension bridges at Gangcheon-san and Chaegye-san, plus the new zigzagging boardwalk up Yonggwol-san. The county’s tourism crown jewel is probably its hanok-inspired Gochujang Village, adjacent to which is the new Sunchang Fermentation Theme Park (순창발효테마파크), which is about the most Jeolla pair of tourism facilities imaginable.
Gyeongbokgung, which means “palace blessed by Heaven,” really impressed us with its beauty and size. The palace gives astonishing views of the modernity of dynamic Seoul, mixing old and new times together. It really gives a special feeling when you see people walking around the palace wearing hanbok.
At the southernmost tip of Imja-do, where Korea’s West and South Seas make their murky acquaintance, is an excellent coastal cave called Yongnangul (용난굴). I’d wanted to see it for quite some time so, aroused from my mid-Chuseok torpor by a chance for adventure, I made the pleasant, bucolic drive to nearby Eomeori Beach with the missus to finally suss it out.
From the south to the north, from east to west, I would like to visit all the beautiful spots in South Korea. In this photo essay, you can enjoy photos taken in Pohang, Tongyeong, and Dangjin.
There can be no doubt that bridges are both practical in use and so astonishing in shape. As a photographer, I would say that bridges become a target for taking good landscape photos, mixing the architecture design and beautiful view on the city.
The long, sandy shore along the northwest coast of Imja-do recently stunned me when I discovered that, even at low tide, the beaches had excellent sand as far as the eye could see.